snap art tutorial #2, subtle watercolor effects

Art Workflow tutorial #2: To create the subtle tonality of a chemically processed fine art print, with hints of a watercolor....

Theory: The watercolor masters (especially the Chinese ones) all had something in common. They were able to merge the seemingly incongruous elements of the medium, transposing the tonality and formlessness of the diluted paint, while retaining exquisite detail in their subjects.

Objective: Creating the perfect montage between a sharp landscape photo and a watercolor painting, tricking the eye into believing the work is created via some fine art printing process. (Curly voice): Knyuck, knyuck, knyuck.

Begin: First, lets take a seemingly banal photo and give it some real punch.

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Fig 1: Here is a landscape that will serve as our subject. I am a big landscape fan, so I decided that perhaps a simple sunset scene on the water would be a nice way to really show the power of Snap Art. I chose a scene from Juneau Alaska, where I was lucky enough to go to this summer. As can be seen, this photo lends itself nicely to the watercolor filter... it has areas of clouds and less detail, and areas of mountains and islands that have more.


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Fig. 2: Using the "Abstract, Pastel Colors Brush" in the Watercolor tab, under the settings menu, I adjusted the "Basic" tab to fit the settings I desired for my piece. Since I wanted the whole piece covered, I thought it might be nice to experiment, and bump the brush size all the way to 100, and boost the paint coverage all the way to 99. Since my photo already has good detail, I decided to leave the fine edge detail at 0 this time so as not to introduce artifacts that affect sharpness, but again, YMMV with how you approach your pieces.... the same goes to be said for wet brush (default) over dry brush. In this instance, the other tabs are all completely untouched. Finally, remember to click the "Create Output in New Layer" so that you can fine tune your piece and retail full control over its opacity.


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Fig. 3: Here is the piece as it comes to us from art using the above settings. Again, you can play with how much coverage you like, but since I wanted coverage for my whole piece, I went with 99. This layer sits on top of the "Background" photo for now, as I go in to create a canvas effect.

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Fig. 4: Usually, fine art watercolor pieces benefit from a texture layer that simulates the depth of traditional artistic media, particularly canvas or rice paper like textures. Here is a pattern I use frequently from the How to Wow photoshop book, but almost any "canvas like" texture will do. Using a pattern fill layer, I set the scale size to %323 (because of the size of this particular 6676*2425px piece) and added it on top of the watercolor layer and the photo layer. Now, its time to play with opacity and the lighting settings.

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Fig. 5: At this point, your layer stack should look like this. For the the watercolor canvas pattern, I set the opacity to 53% and the lighting to darken, just enough to give it visible texture.


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Fig. 6: For the Snap Art Watercolor layer, the opacity is set to 85% and the lighting to "Soft Light". This adds the subtlety we need to create the all the detail of the original photo, but realistically imitate that hand embellished piece.

Now, with our layer adjustments, we have a fine art piece with the divine abnormalities of both a hand embellished chemical process, and a masterful landscape watercolor. Viola! Mission accomplished.


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Fig. 7: Before
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Fig. 8: After

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